Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] domain Landscapes from My Country by subject socialistm Hikmet , Technology vs NatureIntroductionIn the Epic spanking , military personnelkind Landscapes from My Country , Nazim Hikmet engrossd the comparison amid plan and disposition very often . The imagery of applied acquaintance that is limned in this novel searchs to clash with nature Through the use of many an new(prenominal)(prenominal) unalike images such as the train and bland Hikmet come a farsighteds to portray engineering as the antagonist of nature . These imageries provoke how engineering science would destroy and would annihilate nature with its milieu as engine room progresses . However , after a closer reading into the novel , Hikmet actually suggest that technology as a optimistic aspec t that will ultimately improve clement lives . peradventure sacrifices and mistakes argon necessary as these be natural occurrences that ar expected to happen as technology progresses . Although the cost of technology may seem to be dreadful , it is a necessary step for the remedy forthcoming of human livesLiteratureContemporary register on a panoramic overcome is interpreted up in Human Landscapes , which was written during the cause s prison years solely was only published several(prenominal) years after his demise . Beginning with the project for an big study of Turkish hi leg overthrow during the twentieth atomic number 6 , at intervals the poet s narrative also turns to study events in adjacent regions , nonably naval action of adult male fight II in the Mediterranean and the browse of Soviet forces against Nazi invaders . His com mentary on the Turkish War of independence (1919-1922 ) stands in grim contrast to the heroic national themes repeatedly invoke d by other of that period . In Hikmet s tid! y sum , it would seem that the the great unwashed as a all told contri exclusively nowed to final conquering besides only through an inchoate mass acclivity that did not also fall out to a social twirl . Indeed , many passages suggest that class differences remained acute solely were altered by Turkey s changed status in the humanitys gentleman thriftiness . at that place ar a number of sound brief sketches of individual lives , both from the wealthy and from the lower s , often to state unpleasant truths round the people s musical accompaniment point . Some characters , it is recorded , died of disease at advance(prenominal) ages farawaymers kept up(p) their land only when lost all meat of output . Many of the personages are war veterans from one appointment or another . There is much attention to dates , but not in the sense of commemorating events with patriotic connotations in-chief(postnominal) occurrences in individual lives are accorded the same empha sis as major developments in the nation s historyThere is also a intermediate core of random , seemingly senseless violence Family quarrels lead to rack up after a man kills his married woman , children use the manoeuver as a ball in a sorry game . A wrenching , riveting scene records the kill of a Turk who had collaborated with the British occupation forces . There are or so sardonic religious references which call to object folk superstitions in some later passages , Turks of a pro-German listing speculate about whether Adolph Hitler could be a Muslim . trail Turkish statesmen and thinkers approach pattern as portraits on the walls of handicraft components the memories associated with them are quirky bits of picture show that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed argue , social classes . subsequently nearly cardinal years of national independence , homeless and desperately empty-bellied men are to be found outside a news of! fice if wealthy businessmen cannot turn a profit in some counterbalancees of the export trade , because of regimen restrictions , they move quickly to other sectors where their fortunes can be increase . Some of them end up dealing with both the associate and the Axis powers during hold upledge base War II . The incidence of self-annihilation on each side of the class divide is slightly high among the execrable childbirth is difficult , painful , and sometimes ends in tragedy Although this exercise in historical naturalism , based on the author s own observations of Turkish bearing , does not seem to hold out any flying hopes for a recrudesce future , the poet s s of nature and unproblematic joys serve to rear an otherwise grim and unsentimental saga (Des Pres 7-25Written in free verse line and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of meter with t he rapid-fire imagery of motion pictures . Hikmet traces the fortunes of men and women in sleep together and war -- from prostitutes , politicians , and captains of industry to housewives , policy-making prisoners , and peasants -- and gives congresswoman to social strata inaudible from in a heroic linguistic context until the twentieth century . To Hikmet , every tone is a human-interest story deserving heavy and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the sight of the terra firma hung in the balance highlights the compelling variety of human drive , never letting us forget tha t , for better or worse , the fate of the world is in! our handsHikmet s unashamed communist politics , for which he languished in prison or banish most of his adult life , are reflected in vignettes of view Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian ultra and the Nazi-martyred diary keeper Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a flit happiness . Living out prolonged project for political activities dreaming of his wife and child as sightlessness threatens and old age start out years , unbowed Halil recalls the poet s own spotting , a cynosure of what an entire culture was forced to endure . in the long run Hikmet s art suggests spaciousness , a splendor in the expand of poor people seeking just to breathe composition events portend an invidious recurrence of detriment for love , desire , misfortune--for living . Finally available spot in incline , Hikmet s hauntingly eloquent masterpie ce never flagsHuman refinement and technology has expectant in a fast footstep but are we happy ? Hikmet utter that he feels life is more favourable . Nobody said that life has fashion happier . We found that technology which has been developed to apply life easier has in fact do life complicated and busier . He said that unlike the historic , now he can decease from function to place in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has diminish . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , instead of liberating us , holding us backSome later segments of this work are fundamentally similar to portions of The Moscow Symphony and another(prenominal) Poems , an imaginative lyric reconstruction of German-Soviet fighting which in the branch instance was likely based upon news stories that Hikmet rece ived in prison . After allowance for the different la! nguages , it may be argued that some passages would do credit to a Soviet wartime poet : the trouble of the war s first year , the vast human playing period of armies locked in trash , and the camaraderie of soldiers brought together in usual struggle are evoked in brisk , telling linesThis novel in verse , written during one long prison disapprobation in the 1940s , reflects the emotional and carnal torments the poet experienced . more gritty than lyrical , it is powerfully vocal But Selim was no Communist / He didn t even know what communism was .But the cops panorama different / They laid Selim on the theme . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s writing is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive wholesome in translation , but the heart and context make this a lastingly fascinating workWorks CitedDes Pres , Terrence . meter and Politics : The manikin of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name PAGE 1 ...If you indispensability to get a full essay, order it on our website: BestEssayCheap.com

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